Filmmakers and the viewing public today have very high expectations for the quality of images they see on the movie and tv screen. To achieve this standard, high-quality film lenses are essential.

As a leading supplier to the film and broadcasting industry in Hong Kong and Mainland China for more than 50 years, Jebsen Industrial is respected here as an industry pioneer. We have long relationships with the world’s best lens makers, and in-depth knowledge of the local industry and its challenges. As a result, we are able to provide professional technical consultancy and services and offer a wide range of advanced film & broadcast's high definition and full frame lenses to suit local needs.

Full Frame Optimo Prime Series
  • Replaceable Iris blade unit, user-configurable for bokeh
  • Filters to change optical properties
  • Non-linear iris (as for Optimo Zoom range)
Cooke Panchro/i Classic Prime
  • The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration
Angenieux Optimo Anamorphic 44-440 A2S
  • 2:1 horizontal squeeze
  • Perfect homogeneity of colour, contrast, resolution and low distortion typical of the Optimo series
Angenieux Optimo Style 25-250
  • Internal focus with minimal breathing
  • Image circle of 31.4mm diagonal, for perfect illumination of the S35 sensors
Angenieux Optimo Anamorphic 30-72 A2S
  • Fast aperture of T4 with no ramping
  • 320° focus rotation with over 50 focus marks and no breathing
Angénieux Optimo Ultra 12x
  • New optical design to enable Full Frame and VV coverage
  • Up to 200 LPM resolution. (40 LPM = 4K; 80 LPM = 8K)
  • Completely updated design from the 24-290 and 28-340
Angenieux Optimo Anamorphic 42-420 A2S
  • Perfect homogeneity of color, contrast, resolution and low distortion typical of the optimo series 
Angenieux Optimo Style 48- 130
  • 2.7x zoom range with a telephoto position of 130mm  
  • Enhanced image circle to Ultra S35 up to 34.6mm. Fully covers RED 8K Helium sensor 
Cooke Anamorphic/i Full Frame Plus
  • ž  Available in focal lengths 32, 40, 50, 75, 100, 135 and 180 mm
  • ž  Aperture T2.3 
  • ž  Covers full frame image area 23x36 still size sensor with 1.8 squeeze
  • Max. image diameter: ø 46.4mm
  • Magnification: x2
  • PL Mount
  • Maximum image diameter 52mm 
  • Magnification x2 
  • PL UMS mount
MSU-1 & MSU-1A Universal Cine Servo Unit
  • Compatible with Canon & Fujinon standard ENG lens pan handles
  • High-speed
  • Wireless Control
Cooke S4/i Prime Lens (T2 to T22)

Prime lens (T2 to T22) for all applications Superb optical and mechanical performance New soft focus attachment

Cooke 35-140mm Anamorphic/i Zoom
  • True front anamorphic with 2x squeeze
  • Oval bokeh
  • The Cooke Look
Cooke Anamorphic Primes
  • Available in 25, 32, 40, 50, 65 MACRO, 75, 100 and 135mm with 2x squeeze
  • T2.3 to T22 aperture
  • T2.6 to T22 - 65 mm MACRO
Cooke 5/i Prime
  • True T1.4 aperture and covers Super 35mm format 
  • Labelled index marks 
  • Cam-style focus movement and large lens barrel diameter


Cooke mini S4/i Primes(T2.8 to T22 )
  • True T2.8 aperture and cover Super 35mm format
  • Labelled index marks
  • Cam-style focus movement and large lens barrel diameter


Schneider Kreuznach Cine-Xenar III
  • PL mount for digital and 35mm film cameras.  Canon EF mount available
  • 31.5 mm image circle for coverage of 2K / 4K / 5K Cinema, and Canon 7D
  • Telecentric optical design for better performance with digital cameras


Schneider Kreuznach Xenon FF Prime
  • Suitable for use with DSLR and cine-style cameras
  • Designed for 4K resolution
  • Spread and calibrated focus scales for easy and reliable sharpness adjustment


Angenieux Type EZ-2
  • One lens for all
  • Cine-style Build and Quality
  • S35 T2 and larger image formats