The role of lighting in cinematography is an important one, as lighting can affect how a scene is captured. The world of film lighting has never been more exciting, with an abundance of creative lighting solutions now available. JCineCast believes that while there is a great diversity of lighting needs, the fundamental requirements of high-quality light and reliable operations are essential.

  • 75W Omni-Color LED 
  • 1,650K – 8,000K Color Temperature 
  • 400-750W incandescent equivalent 
Hive WASP 250 Plasma Par
  • 276 total system watts
  • Daylight (4,600K to 6,500K) (plus moonlight VFX)
  • 30,000-hour bulb life
Hive BEE 50-C
  • 40W Omni-Color LED
  • 1,650K – 8,000K Color Temperature
  • 200-300W incandescent equivalent
  • Only weights 0.7 kg (1.5 lbs)
Hive HORNET 200-C
  • 150W Omni-Colour LED
  • 1,650K – 8,000K Colour Temperature
  • 700-1000W incandescent equivalent
  • 2.5X brighter than the original WASP 100-C
Lowel Prime Location Pro
  • Prime Location LED complete (daylight or tungsten model with V-lock or Anton Bauer Gold Mount Battery Plate)
  • Barndoor Softening Set (PL-120)
  • Uni SR Stand (UN-66)
Lowel Pro LED
  • Powerful location LED in high quality Daylight or Tungsten
  • Dimmable without colour shift
  • Fresnel output focuses wide and smooth, or tight and punchy
Litepanels Sola 6C


  • High quality 6” Fresnel lens for full spectrum, soft, directional illumination 
  • Litepanels proprietary heat-free LED technology 
  • Integrated DMX module for both remote dimming and remote focusing


Litepanels Astra 1x1


  • High performance LEDs with custom paired optics 
  • Full spectrum quality soft light with visually accurate colour temperature 
  • Wide variety of LED fixtures available